{"id":29276,"date":"2020-01-17T18:17:14","date_gmt":"2020-01-17T18:17:14","guid":{"rendered":"http:\/\/streamhub.co.uk\/?p=29276"},"modified":"2020-06-30T05:10:38","modified_gmt":"2020-06-30T05:10:38","slug":"vod-market-battle-in-the-uk","status":"publish","type":"post","link":"https:\/\/streamhub.co.uk\/vod-market-battle-in-the-uk\/","title":{"rendered":"The VOD market battle in the UK (2 of 4)"},"content":{"rendered":"<span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">Reading Time: <\/span> <span class=\"rt-time\"> 4<\/span> <span class=\"rt-label rt-postfix\">minutes<\/span><\/span>\n[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;3.27.4&#8243; custom_padding=&#8221;1px||0px|||&#8221;][et_pb_row _builder_version=&#8221;3.27.4&#8243; custom_padding=&#8221;0px|||||&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_blurb title=&#8221;@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9kYXRlIiwic2V0dGluZ3MiOnsiYmVmb3JlIjoiIiwiYWZ0ZXIiOiIiLCJkYXRlX2Zvcm1hdCI6ImRlZmF1bHQiLCJjdXN0b21fZGF0ZV9mb3JtYXQiOiIifX0=@&#8221; use_icon=&#8221;on&#8221; font_icon=&#8221;%%128%%&#8221; icon_color=&#8221;#00ac69&#8243; icon_placement=&#8221;left&#8221; content_max_width=&#8221;1100px&#8221; use_icon_font_size=&#8221;on&#8221; icon_font_size=&#8221;16px&#8221; _builder_version=&#8221;3.18.2&#8243; _dynamic_attributes=&#8221;title&#8221; header_font=&#8221;Work Sans|600|||||||&#8221; header_text_align=&#8221;left&#8221; header_font_size=&#8221;14px&#8221; text_orientation=&#8221;center&#8221; custom_margin=&#8221;5px||0px|||&#8221; animation=&#8221;off&#8221; hover_enabled=&#8221;1&#8243; locked=&#8221;off&#8221; icon_color__hover=&#8221;#00ac69&#8243; box_shadow_color__hover_enabled=&#8221;rgba(0,0,0,0.3)&#8221; box_shadow_color__hover=&#8221;rgba(0,0,0,0.3)&#8221; box_shadow_style__hover=&#8221;none&#8221; box_shadow_style__hover_enabled=&#8221;none&#8221; use_background_color_gradient__hover=&#8221;off&#8221; use_background_color_gradient__hover_enabled=&#8221;off&#8221; background_color_gradient_start__hover=&#8221;#2b87da&#8221; background_color_gradient_start__hover_enabled=&#8221;#2b87da&#8221; background_color_gradient_end__hover=&#8221;#29c4a9&#8243; background_color_gradient_end__hover_enabled=&#8221;#29c4a9&#8243; background_color_gradient_type__hover=&#8221;linear&#8221; background_color_gradient_type__hover_enabled=&#8221;linear&#8221; background_color_gradient_direction__hover=&#8221;180deg&#8221; background_color_gradient_direction__hover_enabled=&#8221;180deg&#8221; background_color_gradient_direction_radial__hover=&#8221;center&#8221; background_color_gradient_direction_radial__hover_enabled=&#8221;center&#8221; background_color_gradient_start_position__hover=&#8221;0%&#8221; background_color_gradient_start_position__hover_enabled=&#8221;0%&#8221; background_color_gradient_end_position__hover=&#8221;100%&#8221; background_color_gradient_end_position__hover_enabled=&#8221;100%&#8221; background_color_gradient_overlays_image__hover=&#8221;off&#8221; background_color_gradient_overlays_image__hover_enabled=&#8221;off&#8221; parallax__hover=&#8221;off&#8221; parallax__hover_enabled=&#8221;off&#8221; parallax_method__hover=&#8221;on&#8221; parallax_method__hover_enabled=&#8221;on&#8221; background_size__hover=&#8221;cover&#8221; background_size__hover_enabled=&#8221;cover&#8221; background_position__hover=&#8221;center&#8221; background_position__hover_enabled=&#8221;center&#8221; background_repeat__hover=&#8221;no-repeat&#8221; background_repeat__hover_enabled=&#8221;no-repeat&#8221; background_blend__hover=&#8221;normal&#8221; background_blend__hover_enabled=&#8221;normal&#8221; allow_player_pause__hover=&#8221;off&#8221; allow_player_pause__hover_enabled=&#8221;off&#8221; background_video_pause_outside_viewport__hover=&#8221;on&#8221; background_video_pause_outside_viewport__hover_enabled=&#8221;on&#8221; body_letter_spacing__hover=&#8221;0px&#8221; body_letter_spacing__hover_enabled=&#8221;0px&#8221; body_text_shadow_style__hover=&#8221;none&#8221; body_text_shadow_style__hover_enabled=&#8221;none&#8221; body_text_shadow_color__hover=&#8221;rgba(0,0,0,0.4)&#8221; body_text_shadow_color__hover_enabled=&#8221;rgba(0,0,0,0.4)&#8221; min_height=&#8221;23px&#8221;][\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=&#8221;1&#8243; admin_label=&#8221;Services&#8221; _builder_version=&#8221;4.0.6&#8243; max_width=&#8221;90%&#8221; custom_padding=&#8221;0px||0px|||&#8221; locked=&#8221;off&#8221;][et_pb_row _builder_version=&#8221;3.25&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; custom_width_px=&#8221;710px&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.25&#8243; background_position=&#8221;top_left&#8221; custom_padding=&#8221;|||&#8221; custom_padding__hover=&#8221;|||&#8221;][et_pb_image src=&#8221;https:\/\/streamhub.co.uk\/wp-content\/uploads\/2020\/01\/large_000000.jpg&#8221; _builder_version=&#8221;4.0.6&#8243;][\/et_pb_image][et_pb_text admin_label=&#8221;Services Section Subtitle&#8221; _builder_version=&#8221;4.0.6&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; module_alignment=&#8221;center&#8221; animation_direction=&#8221;bottom&#8221; text_text_align=&#8221;left&#8221;]<p><span style=\"font-weight: 400;\">The UK VOD market is now more a battleground for <\/span><a href=\"https:\/\/www.theguardian.com\/media\/2019\/may\/29\/netflix-and-amazon-score-billion-pound-revenue-in-battle-with-uk-broadcasters\"><span style=\"font-weight: 400;\">US giants<\/span><\/a><span style=\"font-weight: 400;\"> be it Netflix, YouTube or Amazon. Even NowTV is arguably foreign given Sky was recently snapped up by Comcast. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cCommercial TV\u201d incumbents have been playing catch-up but most initiatives have fallen short of success. Only abroad have we seen traction with Hulu (AVOD+SVOD) in the US, the <\/span><a href=\"https:\/\/mainichi.jp\/english\/articles\/20180804\/p2a\/00m\/0na\/010000c\"><span style=\"font-weight: 400;\">TVer<\/span><\/a><span style=\"font-weight: 400;\"> cross-broadcaster platform in Japan (AVOD+Live) and the recent launch of\u00a0 Disney+ (SVOD).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">So what could be the right strategies for the UK players in a market where consumers love to watch content online? Why have free stand-alone broadcaster VOD services not grown? What are viable alternatives? Let\u2019s take a look at what history could teach us in the UK.\u00a0<\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;3.27.4&#8243; custom_margin=&#8221;-23px|auto||auto||&#8221; custom_padding=&#8221;||0px|||&#8221;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_image src=&#8221;https:\/\/streamhub.co.uk\/wp-content\/uploads\/2020\/01\/Joost-e1579285666838.png&#8221; _builder_version=&#8221;4.0.6&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;3.27.4&#8243;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.27.4&#8243; custom_padding=&#8221;0px|||||&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_text _builder_version=&#8221;4.0.6&#8243; custom_margin=&#8221;3px|||||&#8221;]<p><strong>Joost (Feb, 2007)<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Joost was the first independent commercial streaming service in the UK launched in 2007 by the creators of Skype. A free ad-funded aggregator model with boxset, current VOD and Live sporting events. Each content partner controlled what to publish and ads were sold by either the broadcasters or through Joost\u2019s in-house team. Hailed as the \u201c<\/span><a href=\"https:\/\/adage.com\/article\/digital\/joost-average-youtube-killer\/115136\"><span style=\"font-weight: 400;\">YouTube killer<\/span><\/a><span style=\"font-weight: 400;\">\u201d, even then it faced severe challenges in getting popular content from broadcasters in spite of rife piracy on YouTube and PirateBay, eventually closing down in 2012.\u00a0<\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_image src=&#8221;https:\/\/streamhub.co.uk\/wp-content\/uploads\/2019\/09\/seesaw-e1572884988898.png&#8221; _builder_version=&#8221;4.0.6&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;3.27.4&#8243;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.27.4&#8243; custom_margin=&#8221;-15px|auto||auto||&#8221; custom_padding=&#8221;0px|||||&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_text _builder_version=&#8221;4.0.6&#8243;]<p><strong>Public Service Broadcasters, Project Kangaroo and SeeSaw (2007-2011)\u00a0<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">2007-8 also marked the launch of BBC, ITV, Channel 4 and Channel 5\u2019s stand-alone VOD services. A commercial alliance venture called <\/span><a href=\"https:\/\/www.theguardian.com\/media\/2009\/feb\/04\/project-kangaroo-blocked-by-competition-commission\"><span style=\"font-weight: 400;\">Project Kangaroo<\/span><\/a><span style=\"font-weight: 400;\"> was also designed to launch in 2008 with VOD content from BBC, ITV and Channel4. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">This was, however, blocked by the Competition Commission, and Arqiva purchased the technology to later launch it as the ad-funded SeeSaw service in 2010. However it was then closed in 2011 citing <\/span><a href=\"https:\/\/www.bbc.co.uk\/news\/technology-15499876\"><span style=\"font-weight: 400;\">\u201clack of content and funds\u201d<\/span><\/a><span style=\"font-weight: 400;\"> as the reason.<\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_image src=&#8221;https:\/\/streamhub.co.uk\/wp-content\/uploads\/2020\/01\/netflix-log-e1579286437636.png&#8221; _builder_version=&#8221;4.0.6&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;3.27.4&#8243;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.27.4&#8243; custom_padding=&#8221;0px|||||&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_text _builder_version=&#8221;4.0.6&#8243; custom_margin=&#8221;-17px|||||&#8221; custom_padding=&#8221;0px|||||&#8221;]<p><strong>US Services (2011- )<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Come 2011, Amazon snapped up LoveFilm, Netflix began its SVOD streaming service, and YouTube launched legitimate services, giving a sudden influx of legal ways to binge on endless films and TV boxsets, accelerating the migration of younger audiences away from linear TV viewing.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Thereafter, the PSBs continued to reinvest in their VOD services to counter the diminishing broadcast audiences. However, influenced by BBC iPlayer\u2019s strong share and the digital innovators, the commercial PSBs never managed to establish sizable audiences.\u00a0<\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_image src=&#8221;https:\/\/streamhub.co.uk\/wp-content\/uploads\/2019\/09\/1280px-BritBox_logo.svg_-e1572885007339.png&#8221; _builder_version=&#8221;4.0.6&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;3.27.4&#8243;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.27.4&#8243; custom_padding=&#8221;0px|||||&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_text _builder_version=&#8221;4.0.6&#8243; custom_margin=&#8221;-23px|||||&#8221;]<p><strong>BritBox (Nov 2019)<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Enter Britbox in 2019. With collaboration now back on the table Britbox is being developed as an SVOD proposition by the BBC and ITV. A third time lucky to get the alliance model right?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">But with iPlayer now retaining catch-up content for 12 months and the SVOD market at saturation, BritBox faces major challenges. Given the ever-increasing budgets from the US giants, is there appetite for (yet) another SVOD service?\u00a0<\/span><\/p>[\/et_pb_text][et_pb_image _builder_version=&#8221;3.27.4&#8243;][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=&#8221;2_5,3_5&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_column type=&#8221;2_5&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_image src=&#8221;https:\/\/streamhub.co.uk\/wp-content\/uploads\/2020\/01\/planetv-e1579286645884.png&#8221; _builder_version=&#8221;4.0.6&#8243;][\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;3_5&#8243; _builder_version=&#8221;3.27.4&#8243;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.27.4&#8243; custom_margin=&#8221;-19px|auto||auto||&#8221; custom_padding=&#8221;0px|||||&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_text _builder_version=&#8221;4.0.6&#8243;]<p><strong>\u00a0ITV&#8217;s Planet V and potential collaborations (Feb, 2020)<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Interestingly, ITV is rolling out <\/span><a href=\"https:\/\/www.thedrum.com\/news\/2019\/11\/12\/itv-unveils-addressable-tv-ad-solution-planet-v-sky-adsmart-alternative\"><span style=\"font-weight: 400;\">Planet V<\/span><\/a><span style=\"font-weight: 400;\"> soon, its addressable TV ad platform. It indicates that ITV are also considering AVOD as a core strategy, and for the first time called out for collaboration by <\/span><a href=\"https:\/\/www.thedrum.com\/news\/2019\/04\/04\/itv-partners-with-amobee-create-addressable-tv-ad-platform\"><span style=\"font-weight: 400;\">inviting other broadcasters<\/span><\/a><span style=\"font-weight: 400;\"> to make use of their platform, which could pool together all PSB inventory to offer both scale and quality.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">However, Erik Ramberg <a href=\"https:\/\/www.mediakind.com\/blog\/media-vision-2020-in-review-part-3-projecting-business-models-for-a-new-decade\/\">summarises the current advertising industry<\/a> as being &#8220;in a state of flux&#8221;, &#8220;making collaborations tricky&#8221; and that &#8220;a lot of industry players say they want to get rid of Nielsen, posting that they are not relevant in the digital age&#8221; needing something new that &#8220;allows for a degree of information sharing&#8221;.<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><span>Whilst these are valid challenges, broadcasters and agencies in Japan have found a way to make collaboration work, not just to distribute content through TVer, but to <\/span><a href=\"https:\/\/mediatel.co.uk\/newsline\/2019\/08\/07\/cross-industry-data-platform-enables-tv-trading-in-japan\/\"><span>use a single marketplace data platform <\/span><\/a>(created by VideoResearch and Streamhub)\u00a0<span>to report and build advanced audiences.\u00a0<\/span><\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.27.4&#8243; custom_margin=&#8221;|auto|-37px|auto||&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;3.27.4&#8243;][et_pb_text _builder_version=&#8221;4.0.6&#8243;]<p><b>So what could work best in the UK?<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Two aggregator models have failed in the past in spite of both having vested interests from broadcasters. Only the BBC with\u00a0 its ample funding of the iPlayer made an impact as a stand-alone service. But even this now has seen its share erode in recent years to the US aggregators.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">With ITV&#8217;s new technology and collaborative\/aggregator models in favour around the world, could Britbox evolve into a Hulu-esque hybrid VOD platform where ITV, Ch4, Ch5 and BBC come together under the same brand where:<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">All SVOD, AVOD and Live audiences could be allured<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Brands benefit from premium advanced advertising but managed individually<\/span><\/li>\n<li><span style=\"font-weight: 400;\">It gives UK broadcasters a global platform to expand revenues? <\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Only the future will tell how it pans out, but for commercial success &#8211; perhaps the imminent future lies with an ad funded proposition rather than subscription to create a compelling proposition that works for both young and older audiences?\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\"><\/span><\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.0.6&#8243; custom_margin=&#8221;|auto|25px|auto||&#8221; custom_padding=&#8221;9px|||||&#8221; global_module=&#8221;29699&#8243; saved_tabs=&#8221;all&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.0.6&#8243;][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.0.6&#8243; custom_padding=&#8221;9px|||||&#8221; saved_tabs=&#8221;all&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.0.6&#8243;][et_pb_blurb title=&#8221;Written by Russ Armstrong&#8221; image=&#8221;https:\/\/streamhub.co.uk\/wp-content\/uploads\/2020\/04\/Russ.jpg&#8221; icon_placement=&#8221;left&#8221; image_max_width=&#8221;115%&#8221; content_max_width=&#8221;1100px&#8221; _builder_version=&#8221;4.0.6&#8243; border_radii_image=&#8221;off||||&#8221;]<p><span>Partnerships Lead<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A broadcast industry veteran with a background in Systems Engineering, during his time at Arqiva Russ pioneered the adoption of IPTV delivered TV before the term OTT had even been coined. Since then he has been heavily involved with a number of early-stage startups in the OTT space.<\/span><\/p>[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.0.6&#8243; custom_padding=&#8221;9px|||||&#8221; saved_tabs=&#8221;all&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.0.6&#8243;][et_pb_blurb title=&#8221;Written by Aki Tsuchiya&#8221; image=&#8221;https:\/\/streamhub.co.uk\/wp-content\/uploads\/2020\/01\/aki.jpg&#8221; icon_placement=&#8221;left&#8221; image_max_width=&#8221;115%&#8221; content_max_width=&#8221;1100px&#8221; _builder_version=&#8221;4.0.6&#8243; border_radii_image=&#8221;off||||&#8221;]<p><span>Founder &amp; CEO<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A TV \/ OTT innovator, Aki\u2019s foundations in the content business were built at Viacom together with the executive teams who launched MTV in Japan and other Asian markets. He subsequently joined the Skype founders to build Joost in 2006 &#8211; pioneering online TV products, strategies, and business operations now widely adopted by the industry. As CEO of Streamhub, Aki oversees the evolution of the SaaS product and business operations. <\/span><\/p>[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"<p><span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">Reading Time: <\/span> <span class=\"rt-time\"> 4<\/span> <span class=\"rt-label rt-postfix\">minutes<\/span><\/span><\/p>\n<p>The UK VOD market is now more a battleground for US giants be it Netflix, YouTube or Amazon. Even NowTV is arguably foreign given Sky was recently snapped up by Comcast. \u201cCommercial TV\u201d incumbents have been playing catch-up but most initiatives have fallen short of success. Only abroad have we seen traction with Hulu (AVOD+SVOD) [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":29302,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","content-type":"","_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[13],"tags":[98,81,94,92,95,99,93,80,97,100,96,91],"class_list":["post-29276","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-amobee","tag-analytics","tag-audience","tag-bbc","tag-disney","tag-hulu","tag-itv-hub","tag-ott","tag-planet-v","tag-tver","tag-uk-market","tag-vod"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The VOD market battle in the UK (2 of 4) - Streamhub.co.uk<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/streamhub.co.uk\/vod-market-battle-in-the-uk\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The VOD market battle in the UK (2 of 4) - Streamhub.co.uk\" \/>\n<meta property=\"og:description\" content=\"Reading Time:  4 minutesThe UK VOD market is now more a battleground for US giants be it Netflix, YouTube or Amazon. 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